Aldo Tura, Italian (1909-1963)

A Card Table in emerald green with 4 accompanying chairs

A round table with a green glass center and a beige tile border decorated with tarot card images. It is surrounded by five black chairs with painted tarot card images on the backrests. The room has light-colored wooden floors, a white wall with framed colorful artwork, and an electrical outlet.
Round table with a green top and a decorative edge featuring illustrated playing card faces, supported by three black legs.
Chair with a painted backrest featuring three tarot card illustrations.
A round table with four chairs, each featuring black frames, carved wooden backrests with artistic figures, and green upholstered seats, set against a white wall with colorful abstract and modern art paintings.
A round table with a green and beige surface, surrounded by three chairs with tarot card designs and green cushions.
A wooden chair with a light blue upholstered seat and a backrest featuring three printed tarot card images.
A circular table with a green felt surface and a beige border featuring tarot card illustrations.

Born in 1909, Italian designer-maker Aldo Tura established his furniture production house in Lombardy in 1939. Working between the idioms of Art Deco and modernism, Tura created singular, high-end furniture and accessories that were typified by rich materials, sculptural forms, and high-end, artisanal techniques. Tura’s work has become highly collectible, especially examples with exotic finishes— like eggshell, goatskin, and parchment—in intense palettes of red, green, and yellow.

Aldo Tura is a master of mid 20th century Italian design. Using traditional furniture making techniques he worked with the most interesting materials , most notably parchment . From his workshop in Lombardy he produced the most exceptional hand painted furniture like this exquisite card table and four chairs

Tura was one of the most unique design talents of the Italian midcentury. In the postwar years, as many furniture producers were adjusting their production methods toward mass production, Tura remained committed to slow, traditional hand craftsmanship. He favored intricate, complex forms and labor-intensive processes that could never by replicated in a large-scale factory system. As a result, the number of works by Tura available on the vintage market remains limited